This paper proposes a relational history of media artifacts. which decentralizes the dominance of the photographer or filmmaker as the absolute author of the work. It adds an alternative account to understanding the creative process and the subsequent study of media forms by discussing film and photographic practices as the reciprocal affective relationship between the maker. their in... https://www.diegojavierfares.com/best-flash-Haralson-Apple-Tree-save-extra/